German Painter, 1858-1925 German painter and writer. He grew up on his family's farm and tannery. As a child he showed interest in art, taking informal lessons in drawing from a local carpenter and caricaturing his primary school teachers. Corinth's father sent him to secondary school in the nearby city of K?nigsberg (now Kaliningrad), where he lived with his widowed aunt. A superstitious woman fond of story-telling, she possessed what Corinth later described as a coarse temperament and an unrestrained, 'demonic' humour. These qualities and his aunt's bohemian acquaintances, including fortune-tellers and soothsayers, fascinated the young Corinth, accustomed to his more reserved parents.   Related Paintings of Lovis Corinth :. | Self-Portrait with his wife and a glass | Wilhelmine im Trachtenkleid | Portrat des Malers Leo Michelson | At the Mirror | Das homerische Gelachter |
Related Artists:
ivan agueli
Ivan Agueli (ursprungligen John Gustaf Agelii tog sig senare i livet namnet Abd Al-Hadi Aqhili), född 24 maj 1869 i Sala, Västmanlands län, död i en tågolycka den 1 oktober 1917 i Barcelona, Katalonien, Spanien, var en svensk målare, religionsfilosof och orientalist. Agueli blev med sitt nydanande måleri en av den svenska konstens förgrundsgestalter. Enbart genom noggrant avvägda färgtoner framkallade han en känsla av avstånd och ljus i sina målningar, som trots det intima formatet äger en stor monumentalitet. Agueli hade en tämligen välbärgad uppväxt. Hans far, stallmästaren och veterinären Johan Gabriel Agelii (f.1821 i Farstorp, Kristianstads län - d. 22 december 1896)² var dock en sträng man vars relation till sonen skulle bli dålig hela livet. Modern Anna Stina Nyberg (f.1838 i Vika, Kopparbergs län) var en varm människa som kompenserade det kärlekslösa förhållandet till fadern. Efter flera misslyckade försök till studier under åren 1879-1886 i Sala, Västerås, Falun och Stockholm, sändes Agueli till Visby av fadern 1886. Han blev där uppmärksammad för sin konstnärlighet, och började umgås med Richard Bergh och Karl Nordström.
Carlo Bonavia
was an Italian painter known for idyllic landscape paintings, engravings and drawings. He was active from 1740 until his death in 1788. He is thought to be from Rome, but worked in Naples from about 1751 to 1788. He was trained in the Neapolitan landscape tradition of Salvator Rosa (1615-1673) and Leonardo Coccorante (1680-1750), but was much more strongly influenced by the work of Claude Joseph Vernet, who visited Naples in 1737 and 1746.
Sebastian Stoskopff
Strasbourg 1597-Idstein 1657 was an Alsatian painter. He is considered one of the most important German still life painters of his time. His works, which were rediscovered after 1930, portray goblets, cups and especially glasses. The reduction to a few objects, which is characteristic of early still life painting, can again be recognized in Stoskopff's painting. His chief works hang in Strasbourg and in Saarbr??cken. Sebastian Stoskopff was born in 1597 in Strasbourg. His father was employed by the city since 1590 and acted as a mounted courier or royal escort, driving a one-horse-carriage. In 1614, Stoskopff's father asked the Strasbourg council for help for his 17-year-old son. He wanted him to be able to learn the craft of painting, since Sebastian had already been extremely talented in drawing and painting since he was 15. The council agreed to provide their support and probably sent the young artist at first to the Strasbourg painter and copper engraver, Friedrich Brentel. However, he only learned how to further refine his drawing and was not, as hoped, introduced to the art of painting. In 1615, Stoskopff's father died and his widowed mother went to the Strasbourg council once again to ask for support for training from a recognized painter. Stoskopff was then sent to Daniel Soreau, a painter who was active in Hanau. In the beginning, Soreau was not very enthusiastic, since he usually chose his apprentices from among his relatives and close friends. However, he finally complied with the request of the council and assured them that would "make an Albrecht Derer of this apprentice". There is not a single definite picture by Daniel Soreau existing. It is only possible to draw conclusions about how well the master passed on his artistic skills to his students through the works of his sons, other apprentices of his workshop and through Stoskopff's works. After Soreau's death in 1619, Stoskopff took over his workshop with the apprentices, as well as his function as the master. One of the apprentices was Joachim von Sandrart, who later became a successful painter and who wrote the first important work on the history of art in the German language: "Teutsche Academie der Bau-, Bild,- und Malerey- Kenste". This work contains descriptions of the lives of earlier and contemporary artists, including descriptions of the time in Hanau with his master, Sebastian Stoskopff. After his attempt to get permission to settle in Frankfurt failed, Stoskopff went to Paris. He stayed there from about 1622 until 1639, which can be reconstructed from indirect reports and property inventories of Parisians. His first works in larger format were also created here, such as "Summer" or "Winter" (now both in Strasbourg).